{"title":"Others","description":"","products":[{"product_id":"benetton-chair","title":"SHIRO TSUJIMURA - TSUBO","description":"\u003cdiv\u003e\u003cspan style=\"font-weight: 100;\"\u003eWood fired shiragak Tsubo with natural ash glaze drips\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 100;\"\u003eJapan \u003c\/span\u003e\u003cspan style=\"font-weight: 100;\"\u003ecirca 1985\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 100;\"\u003eH 41  x L 40  cm \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e| 16 x 15.7 in\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eSOLD OUT\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT SHIRO TSUJIMURA\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eShiro Tsujimura, born in 1947 in Nara, Japan, is a self-taught ceramic artist whose work blends traditional Japanese pottery techniques with wabi-sabi philosophy, emphasizing imperfection and transience. Inspired by an Ido tea bowl, Tsujimura shifted from painting to ceramics, mastering styles like Shigaraki, Iga, and Shino while embracing spontaneity in his firing process. His raw, organic forms reflect a deep connection to nature and spirituality, shaped by his training as a monk and independent spirit. Tsujimura’s works are globally exhibited, including at the Metropolitan Museum of Art and the British Museum, affirming his enduring impact on contemporary ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":47383770956063,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-01-02_at_10.42.48.png?v=1735810988"},{"product_id":"shiro-tsujimura-vase","title":"SHIRO TSUJIMURA - VASE","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem; color: rgb(179, 179, 179);\"\u003eWood fired stoneware vase with natural ash glaze drips,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003esigned under the base., \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJapan Circa 2005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWith its paulownia box signed by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e22 X 20 cm | 8,7 X 7,9 in\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eSOLD OUT\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT SHIRO TSUJIMURA\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eShiro Tsujimura, born in 1947 in Nara, Japan, is a self-taught ceramic artist whose work blends traditional Japanese pottery techniques with wabi-sabi philosophy, emphasizing imperfection and transience. Inspired by an Ido tea bowl, Tsujimura shifted from painting to ceramics, mastering styles like Shigaraki, Iga, and Shino while embracing spontaneity in his firing process. His raw, organic forms reflect a deep connection to nature and spirituality, shaped by his training as a monk and independent spirit. Tsujimura’s works are globally exhibited, including at the Metropolitan Museum of Art and the British Museum, affirming his enduring impact on contemporary ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54852707418489,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-01-02_at_10.53.20.png?v=1735811634"},{"product_id":"shiro-tsujimura-tsubo-copy","title":"COLIN GORRY - JUG","description":"\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eColin Gorry, Large Jug\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEarthenware, Blistered white glaze, partially brownish. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eInscribed: CG\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 76 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT COLIN GORRY\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eColin Gorry, born in 1963 in London, UK, is a self-taught ceramic artist renowned for his ability to blend traditional pottery techniques with contemporary aesthetics. Inspired by his collaboration with the late Colin Pearson, Gorry developed a distinct style that reflects a shared passion for innovative forms and experimental glazes. Their partnership, which began in the early 1990s, saw Gorry building on Pearson's modernist legacy while incorporating his own minimalist sensibilities. Gorry's works often explore themes of balance and contrast, with sleek, sculptural designs that evoke both natural and architectural elements. Exhibited internationally, including at the Victoria and Albert Museum, his creations stand as a testament to the enduring influence of his collaboration with Pearson and his personal vision in contemporary ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54852988371321,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-01-02_at_17.11.48.png?v=1735834352"},{"product_id":"colin-gorry-jug-copy","title":"FRANCO ALBINI - PS 16","description":"\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003ePS-16\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eRocking chair\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1956\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWalnut, cotton fabric, cord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e75 X 170 X 70 cm | 29.5 X 67 X 27.5 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eSOLD OUT\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT FRANCO ALBINI\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFranco Albini (1905–1977), born in Robbiate, Italy, was a visionary architect and designer whose work seamlessly fused traditional craftsmanship with modernist principles. A pioneer of Italian Rationalism, Albini was inspired by the interplay of functionality and aesthetics, creating designs that emphasized simplicity, precision, and innovation. His iconic creations, such as the \"Luisa\" chair and the \"Veliero\" bookcase, reflect a meticulous attention to detail and a deep respect for materials. Albini’s architectural projects, including Milan's Line 1 metro stations, further showcase his ability to balance technical ingenuity with artistic expression. His designs, celebrated in institutions like the Triennale Design Museum and MoMA, continue to influence contemporary architecture and design, solidifying his legacy as one of the 20th century's most influential figures in modernist design.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54853664768377,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/ddddddf.jpg?v=1735897015"},{"product_id":"colin-gorry-jug-copy-1","title":"SERGE MOUILLE - CEILING LIGHT","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eThree pivoting arms ceiling light\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrance - Circa 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEnameled steel, aluminium and brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e81 X 183 X 140 cm | 32 X 72 X 55 in\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca style=\"color: rgb(179, 179, 179);\" href=\"https:\/\/scenersgallery.com\/pages\/contact\" rel=\"noopener\" target=\"_blank\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT SERGE MOUILLE\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eSerge Mouille 1922–1988, born in Paris, is revered as one of the most influential figures in 20th-century design, celebrated for his sculptural approach to lighting that seamlessly blends modernist principles with artistic innovation. A trained silversmith from the École des Arts Appliqués, Mouille brought his mastery of metalwork to the creation of lighting fixtures that transcend mere functionality, redefining the relationship between form, space, and light. Influenced by the structural purity of Jean Prouvé and the fluid, organic movement of Alexander Calder, Mouille’s designs are characterized by their minimalist elegance and meticulous craftsmanship. His lighting fixtures, with their black-lacquered surfaces and delicate brass detailing, evoke natural forms—at once architectural and biomorphic—creating an interplay of light and shadow that transforms spaces into dynamic environments. Emerging in the 1950s as a pioneer of French modernism, Mouille rejected decorative excess in favor of a poetic minimalism that aligned with the humanistic ideals of the era. Exhibited alongside contemporaries such as Charlotte Perriand and Le Corbusier, his work quickly became synonymous with sophistication and innovation, gracing interiors and cultural institutions worldwide. Today, Serge Mouille’s creations remain a timeless embodiment of modernist design, celebrated for their ability to elevate light into an art form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54858696851833,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/jdjd.jpg?v=1736257679"},{"product_id":"serge-mouille-ceiling-light-copy","title":"SERGE MOUILLE - WALL LIGHT","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eTwo arms wall light\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrance - Circa 1959\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEnameled steel, aluminium and brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e90 × 283 × 174 cm | 35.5 × 111.5 × 68.5 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" rel=\"noopener\" style=\"color: rgb(179, 179, 179);\" target=\"_blank\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT SERGE MOUILLE\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eSerge Mouille 1922–1988, born in Paris, is revered as one of the most influential figures in 20th-century design, celebrated for his sculptural approach to lighting that seamlessly blends modernist principles with artistic innovation. A trained silversmith from the École des Arts Appliqués, Mouille brought his mastery of metalwork to the creation of lighting fixtures that transcend mere functionality, redefining the relationship between form, space, and light. Influenced by the structural purity of Jean Prouvé and the fluid, organic movement of Alexander Calder, Mouille’s designs are characterized by their minimalist elegance and meticulous craftsmanship. His lighting fixtures, with their black-lacquered surfaces and delicate brass detailing, evoke natural forms—at once architectural and biomorphic—creating an interplay of light and shadow that transforms spaces into dynamic environments. Emerging in the 1950s as a pioneer of French modernism, Mouille rejected decorative excess in favor of a poetic minimalism that aligned with the humanistic ideals of the era. Exhibited alongside contemporaries such as Charlotte Perriand and Le Corbusier, his work quickly became synonymous with sophistication and innovation, gracing interiors and cultural institutions worldwide. Today, Serge Mouille’s creations remain a timeless embodiment of modernist design, celebrated for their ability to elevate light into an art form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54858734961017,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/KJ.jpg?v=1736258334"},{"product_id":"franco-albini-ps-16-copy","title":"PAOLO BUFFA - CABINET","description":"\u003cdiv\u003e\n\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003ePaolo Buffa - Cabinet\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1940\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBlack lacquer, parchment and brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e145 X 120 X 37.5 cm | 57 X 47.2 X 14.7 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT PAOLO BUFFA\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003ePaolo Buffa (1903–1970), born in Milan, was a master of Italian design, celebrated for his seamless synthesis of classical elegance and modern refinement. His work, distinguished by exquisite craftsmanship and an innate sense of proportion, elevated furniture design to an art form. Collaborating with esteemed cabinetmakers such as Mario Quarti, Buffa created bespoke pieces that embodied sophistication, often featuring delicate marquetry, sculpted forms, and the finest materials. His interiors, commissioned for aristocratic residences and luxury hotels, exuded a quiet opulence—never ostentatious, yet undeniably grand. A designer of rare finesse, Buffa’s legacy endures in the timeless beauty of his creations, which continue to inspire collectors and connoisseurs of Italian design.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":54993255301497,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-03-03_at_09.19.17.png?v=1740990043"},{"product_id":"marzio-cecchi-serpente-sofa-black-copy","title":"ANONYME - BLACK LIPS SOFA","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 100;\"\u003eLeather, stainless steel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 100;\"\u003eCirca 1960s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 100;\"\u003eH 70 x L 420 x D 110 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 100;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-end=\"470\" data-start=\"0\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"0\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eInspired by the bold futurism of 1960s Space Age design, this sofa embodies the era’s fusion of avant-garde aesthetics and playful functionality. Its sculptural form, reminiscent of human lips, is a striking centerpiece that captures the optimistic spirit of space exploration and atomic-age innovation. The smooth, curved silhouette reflects the fluidity and dynamism of the period, while its anthracite Vachette leather upholstery lends a touch of modern refinement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1035\" data-start=\"472\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDesigned to balance artistic expression with practical luxury, the sofa features a seamlessly integrated hand bar, enhancing its sociable appeal. Echoing the vibrant, reflective materials of the Space Age, it combines sleek contours with a bold architectural presence making it a statement conversation piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55021935853945,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/DSCF3212.jpg?v=1741868933"},{"product_id":"osvaldo-borsani-l77-daybed-copy","title":"ANDRÉ JEAN DOUCIN - CHAISE LONGUE","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eChromed steel and plexiglass\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 300; color: rgb(179, 179, 179);\"\u003eFrance, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 300; color: rgb(179, 179, 179);\"\u003eCirca 1970\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 300; color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-weight: 100;\"\u003eH 103 x W 51 x  D 185 cm\u003c\/span\u003e\u003cspan style=\"font-weight: 100;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 100;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"font-size: 0.875rem;\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"193\" data-end=\"598\" class=\"\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eAndré-Jean Doucin (1926–2009) was a French designer whose work captured the quiet boldness of postwar modernism through an innovative exploration of material and form. Active primarily in the 1970s, Doucin developed a distinctive visual language rooted in the sculptural possibilities of industrial materials, notably aluminum and Plexiglas—elements that were then considered both radical and refined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"600\" data-end=\"974\" class=\"\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eOften working at the intersection of art and functional design, Doucin created lighting, furniture, and objects that reflect a subtle yet sophisticated aesthetic. His wall-mounted lights and table lamps, produced around 1970, stand out for their minimal geometries, careful balance of opacity and reflection, and a restrained palette that emphasizes structure over ornament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"600\" data-end=\"974\" class=\"\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eDoucin’s pieces, though relatively rare, are increasingly recognized for their purity of line and thoughtful materiality. They resonate with the design ethos of the 1970s, yet transcend the period through their timeless presence—quietly asserting themselves in both private interiors and curated collections.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55076323688825,"sku":null,"price":30000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-03-31_at_14.41.47.png?v=1764519499"},{"product_id":"paolo-buffa-cabinet-copy","title":"PAOLO BUFFA - GAME TABLE","description":"\u003cdiv\u003e\n\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003ePaolo Buffa - Game table\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1950\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eCreme painted wood, brass and velvet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 68 X L 79 X P 79 cm | H 27 X W 31 X D 31 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca style=\"color: rgb(179, 179, 179);\" href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT PAOLO BUFFA\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003ePaolo Buffa (1903–1970), born in Milan, was a master of Italian design, celebrated for his seamless synthesis of classical elegance and modern refinement. His work, distinguished by exquisite craftsmanship and an innate sense of proportion, elevated furniture design to an art form. Collaborating with esteemed cabinetmakers such as Mario Quarti, Buffa created bespoke pieces that embodied sophistication, often featuring delicate marquetry, sculpted forms, and the finest materials. His interiors, commissioned for aristocratic residences and luxury hotels, exuded a quiet opulence—never ostentatious, yet undeniably grand. A designer of rare finesse, Buffa’s legacy endures in the timeless beauty of his creations, which continue to inspire collectors and connoisseurs of Italian design.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55089873813881,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-04-03_at_14.25.19.png?v=1743683593"},{"product_id":"anonymous-armchairs","title":"ANONYME - ARMCHAIRS","description":"\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003ePair of armchairs for the Morzin palace\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003eOak, poile d’hiver and brass\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eProbably school of Josef Hoffmann\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003ePrague | Circa 1920\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003cspan\u003eH 103 x L 51 x P 185 cm\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eThe school of Josef Hoffmann and Koloman Moser, epitomized by the founding of the Wiener Werkstätte, stood as a refined bridge between art and life—uniting architecture, design, and craftsmanship under a singular vision of total aesthetic harmony. Rooted in the ideals of the Vienna Secession, their work rejected historicist excess in favor of geometric clarity, artisanal integrity, and modern ornamentation. This philosophy resonated deeply with Czech creators, particularly those orbiting the cultural ferment of early 20th-century Prague. Inspired by Hoffmann’s architectural precision and Moser’s lyrical design sensibility, Czech artists and designers absorbed the ethos of unity between fine and applied arts, developing their own visual language that balanced national identity with international modernism. The result was a flourishing of design that was both sophisticated and deeply rooted, echoing the elegant restraint and humanist ideals of their Viennese counterparts.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55139516875129,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-04-21_at_19.41.35.png?v=1745257493"},{"product_id":"anonyme-armchairs-copy","title":"FRIEDRICH OTTO SCHMIDT - ARMCHAIRS","description":"\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003cspan\u003eSolid mahogany, night blue velvet and brass.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned and labeled \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003cspan\u003eH 80 x W 65 x D 60 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003eVienna | Circa 1900\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cdiv class=\"text-base my-auto mx-auto py-5 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[70rem]:[--thread-content-margin:--spacing(12)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto flex max-w-(--thread-content-max-width) flex-1 text-base gap-4 md:gap-5 lg:gap-6 group\/turn-messages focus-visible:outline-hidden\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"relative flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"37612fbe-7f10-470a-97b4-1119313ea275\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-5\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light\"\u003e\n\u003cp data-start=\"0\" data-end=\"698\" class=\"\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFriedrich Otto Schmidt was a central figure in the evolution of Viennese design, embodying the refined ideals of the Vienna Secession and the Wiener Werkstätte. Founded in 1853, his namesake firm became a beacon of modern craftsmanship, bridging the decorative opulence of the Gründerzeit with the emerging clarity of modernism. Deeply influenced by figures like Josef Hoffmann and Adolf Loos, Schmidt’s work married structural elegance with artisanal precision, furnishing interiors that were both intellectually rigorous and sensuously refined. Though rooted in Vienna, his influence resonated throughout Central Europe, shaping a generation of designers who sought to unify art, craft, and life\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55140843061625,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2025-04-22at12.30.56.png?v=1745317954"},{"product_id":"paolo-buffa-game-table-copy-1","title":"GIO PONTI - WALL CABINET","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1930\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003eBurr Walnut\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003eH 35 X L 95 X P 34 cm | H 13,8 X W 37 X D 13,4 in.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003eProvenance: Palazzo castello Calignani-masci, Miglianico\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT GIO PONTI\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eGio \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ePonti\u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e (1891–1979) \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewas \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edefining \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eforce \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ein \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e20th-\u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ecentury \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eItalian \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edesign, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewhose \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ework \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ebridged \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eclassicism \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emodernity \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewith \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eremarkable \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efluidity. \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAfter \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003egraduating \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efrom \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ePolitecnico \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edi \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMilano \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ein 1921, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ehe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003erose \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eto \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eprominence \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eas \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eartistic \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edirector \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eRichard \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eGinori, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003erevolutionizing \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eporcelain \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewith \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eneoclassical \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eyet \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eradically \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emodern \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emotifs—\u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ean \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eachievement \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eawarded \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eat \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe 1925 \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eExposition \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edes \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eArts \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eDécoratifs \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ein \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eParis. \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eIn 1928, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ehe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efounded \u003c\/span\u003e\u003cem data-start=\"436\" data-end=\"443\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eDomus\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emagazine, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eestablishing \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eplatform \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethat \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewould \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eshape \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eglobal \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edesign \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ediscourse \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efor \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edecades. \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eHis \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003earchitectural \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003epractice \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003espanned \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003econtinents, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efrom \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003esoaring \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ePirelli \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eTower \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ein \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMilan (1956–60, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewith \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eNervi \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eFornaroli) \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eto \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eDenver \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eArt \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMuseum. \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eIn \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efurniture, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ehis \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ecollaborations \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ewith \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eCassina \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eothers \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eproduced \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eenduring \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eicons \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003elike \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eSuperleggera \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003echair (1957), \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emasterpiece \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eweightless \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eengineering \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eelegant \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003erestraint. \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ePonti’s \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003elegacy \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eendures \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eas \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ecelebration \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ebeauty, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003elightness, \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edistinctly \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eItalian \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003esynthesis \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ecraft \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eindustry.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55209945694585,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2025-05-15at16.32.15.png?v=1747319669"},{"product_id":"paul-dupre-lafon-valet-de-nuit","title":"PAUL DUPRE-LAFON - VALET DE NUIT","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMahogany, brass and leather\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFor Hermes Paris \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrance, 1935\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 136 x L 44 x P 57 cm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003eProvenance: Henrique Mindlin collection\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT PAUL DUPRE_LAFON\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"165\" data-end=\"902\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003ePaul Dupré-Lafon (1900–1971) stands as one of the most cultivated figures of 20th-century French design, an architect by training whose work bridged the rigor of modernist spatial thinking with the sensuality of French decorative tradition. Educated at the École des Beaux-Arts in Marseille, he emerged during a period when France was redefining luxury through a dialogue between classicism and the avant-garde. Unlike the ornamental opulence of Art Deco or the industrial utopias of the Bauhaus, Dupré-Lafon aligned himself with a quieter, more cerebral modernism. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHis interiors often conceived as total environments, reflect the influence of the 18th-century concept of \u003cem data-start=\"1009\" data-end=\"1019\"\u003eensemble\u003c\/em\u003e, where architecture, furniture, and object form a unified whole. Yet his minimalism was never austere: he employed fine leathers, rare woods, parchment, and bronze with the restraint of a classicist and the eye of a modernist. His long collaboration with Hermès from the 1930s onward further exemplified his ethos, objects designed not merely to impress, but to endure, to age with grace. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eRarely seeking the spotlight, Dupré-Lafon was nonetheless a designer of influence among intellectuals, collectors, and the haute bourgeoisie of Paris. His work resonates with a discreet power: rooted in proportion, tactility, and a belief, shared with contemporaries like Jean-Michel Frank that luxury is not display, but atmosphere. Today, his creations stand as enduring markers of a French modernism that was neither doctrinaire nor decorative, but deeply, deliberately architectural.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55329386430841,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/0M2A41613.jpg?v=1749815534"},{"product_id":"ugo-la-pietra-pretenziosa-armchair-copy-1","title":"GUGLIELMO ULRICH - ARMCHAIRS","description":"\u003cdiv\u003e\n\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1940\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr data-start=\"17\" data-end=\"20\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHorse hide and wood\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp data-start=\"43\" data-end=\"139\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBibliography: L. Sacchetti, \u003cem data-start=\"71\" data-end=\"89\"\u003eGuglielmo Ulrich\u003c\/em\u003e, p. 397, fig. 242, Federico Motta Editore, 2009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"141\" data-end=\"193\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 64 x L 85 x P 95 cm \/ H 25.2 x W 33.4 x D 37.4 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT GUGLILEMO ULRICH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"144\" data-end=\"718\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eGuglielmo Ulrich (1904–1977) was one of the defining figures of Italian design in the mid-20th century, known for his ability to merge classical elegance with the emerging language of modernism. Trained in architecture at Politecnico di Milano and in fine arts at the Brera Academy, Ulrich began designing furniture in the 1930s, quickly becoming a favorite among Milan’s upper class. He collaborated with some of the most skilled cabinetmakers of the time, including the firm of Mario Quarti, producing custom interiors for villas, ocean liners, and corporate headquarters. His work stands out for its refined proportions, delicate curves, and the luxurious use of materials such as exotic woods, parchment, and leather. Unlike the more radical modernists of his generation, Ulrich never abandoned ornament or craftsmanship—instead, he reinterpreted them with restraint and clarity. Though his name was somewhat eclipsed in the postwar years, Ulrich has seen a strong resurgence in recent decades. His pieces are now sought after by collectors and featured in major design auctions, with several works included in institutional collections and exhibitions on Italian modernism. Today, Ulrich is increasingly recognized not only for his aesthetic sensibility but also for his role in shaping a distinctly Italian approach to modern design.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55570242666873,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2025-07-31at11.16.35.png?v=1753953600"},{"product_id":"ugo-la-pietra-messincena-copy","title":"EUGENIO QUARTI - VITRINE CABINET","description":"\u003cdiv\u003e\u003cspan style=\"font-size: 0.875rem; color: rgb(204, 204, 204);\"\u003eItaly | 1899\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eWalnut, ebonized wood, parchment, glass, metal inlaid and mother of pearl\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eProvenance: Giovanni Mazzoni Breganze (1848-1918) Vicenza, Italie\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThence by descent\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eH 183 X L 44 X P 44 cm | \u003cmeta charset=\"UTF-8\"\u003e H 72 × L 17 × P 17 in\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eSOLD OUT\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT EUGENIO QUARTI\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 18\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEugenio Quarti (1867–1931), born in Villa d’Almè and trained in Paris and Milan, emerged as one of the leading figures of the Italian Liberty movement, transforming furniture into a form of spatial lyricism. After an early collaboration with Carlo Bugatti, whose Moorish-inspired fantasy shaped his first experiments, Quarti developed a more architectural and disciplined language, crafting elegant works in mahogany and rosewood often enriched with mother-of-pearl, parchment, and metal inlays. Celebrated at the 1900 Paris Exposition Universelle, his creations balanced ornament and structure, curve and line, delicacy and strength, earning him international acclaim. Today, his works are held in major collections, including the Musée d’Orsay in Paris and the National Museum of Modern Art in Tokyo, standing as lasting testaments to his ability to unite technique and poetry in objects of timeless elegance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55785349710201,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2025-09-11at13.30.57.png?v=1757591100"},{"product_id":"ryoji-koie-screen","title":"RYOJI KOIE - SCREEN","description":"\u003cdiv\u003e\u003cspan style=\"font-size: 0.875rem; color: rgb(204, 204, 204);\"\u003eJapan | 2011\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eSumi ink on silk backed with gold leaf\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(204, 204, 204);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eH 172,5 X L 381 cm | \u003cmeta charset=\"UTF-8\"\u003e H 68 × L 150 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT RYOJI KOIE\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 18\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eRyoji Koie (1938–2020), \u003cspan\u003eBorn in Tokoname, Aichi Prefecture, a historic center of ceramic production, Ryoji Koie first encountered clay at fifteen while working in a toilet bowl factory, an experience that revealed both the harshness of industrial labor and the material’s expressive potential. After training at Tokoname High School and the Tokoname Ceramic Art Institute, he gained early recognition at the Asahi Ceramic Art Exhibition in 1963 and went on to win international acclaim at the Vallauris International Ceramics Biennial in 1972, later joining the International Academy of Ceramics in 1980. From the 1980s onward, Koie embraced radical experimentation, moving fluidly between functional wares, installations, happenings and politically charged series such as Chernobyl and No More Hiroshima Nagasaki. His work is marked by dynamic gestures through glaze projections, incisions, cuts and impressions that imbue even ordinary forms with poetic force. Oscillating between discipline and play, Koie’s practice was driven by bursts of inspiration, yielding bodies of work that remain at once tactile, contemplative and profoundly human.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":55785411740025,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-09-11_at_13.57.41.png?v=1757591881"},{"product_id":"carlo-bugatti-secretaire","title":"CARLO BUGATTI - SECRETAIRE","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 100;\"\u003eEbonized wood, goat leather parchment, bone and copper\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 100;\"\u003eItaly, Circa \u003c\/span\u003e\u003cspan style=\"font-weight: 100;\"\u003e1900\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eH 197 x L 72 x D 14 cm\u003cbr style=\"font-weight: 400;\"\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT \u003ca href=\"https:\/\/scenersgallery.com\/collections\/carlo-bugatti?_pos=1\u0026amp;_psq=Carlo+bu\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eCARLO BUGATTI\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCarlo Bugatti (1856–1940) was a designer who seemed to exist outside the constraints of time and tradition. His furniture and interiors were not just objects or spaces but manifestations of a profound, almost mystical vision. Drawing on influences as varied as Moorish architecture, Japanese craftsmanship, and Gothic ornamentation, Bugatti created works that felt simultaneously ancient and futuristic, belonging to no single era and yet resonating deeply with those who encountered them. Bugatti’s approach was deeply unconventional. He chose materials like parchment, copper, and mother-of-pearl, crafting furniture that seemed less like practical objects and more like artifacts from a dream. Chairs with tall, spindly backs; tables with asymmetrical forms; and entire rooms conceived as immersive environments—the result was always unexpected, always otherworldly. His pieces demanded attention, not as functional tools but as works of art with their own personalities. More than a designer, Bugatti was a storyteller. His work evoked narratives of faraway places and forgotten civilizations, yet it also spoke of the future, of what design could become when freed from convention. Each creation was a dialogue between the material and the metaphysical, a challenge to the viewer to see beyond the ordinary. While his style was highly personal and difficult to replicate, Bugatti’s influence has endured. His work, like his life, defied categorization. Today, his creations are celebrated not just for their beauty but for their audacity—proof of what can be achieved when design is treated as a boundless act of imagination.\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56217727598969,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/YOT_0068_2.jpg?v=1763385987"},{"product_id":"colin-gorry-jug-copy-2","title":"GEORGES JOUVE - BRAVO TORO","description":"\u003cdiv\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003eGeorges Jouve, Bravo toro \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003eCirca 1954\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #b3b3b3;\"\u003eBlack and white enamelled ceramic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003eSigned 'Jouve' on the base\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT GEORGES JOUVE\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-end=\"572\" data-start=\"159\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eGeorges Jouve (1910–1964) remains a central figure of postwar French ceramics. Trained as a sculptor at the École Boulle, he returned to clay after the war with a modernist clarity that reshaped the discipline. His vessels and sculptural forms distinguished by their taut curves, refined proportions, and the deep black glaze that became his signature, quickly set him apart from traditional potters of the period. \u003c\/span\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eJouve collaborated directly with two of the most influential decorators of his era: Jean Royere and Jacques Adnet, whose interiors defined French modern luxury in the 1950s. Both incorporated Jouve’s ceramics into their schemes, commissioning pieces for bespoke residential and international projects. These collaborations placed Jouve’s work at the heart of the postwar design renaissance. \u003c\/span\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003ePresented at the \u003cem data-end=\"1066\" data-start=\"1034\"\u003eSalon des Artistes Décorateurs\u003c\/em\u003e and represented by galleries such as Primavera, Jouve’s pieces entered major collections during his lifetime and continue to be acquired by museums and discerning collectors worldwide. \u003c\/span\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eHis legacy is the transformation of ceramics into a sculptural, architectural art—objects that feel both rigorously modern and quietly timeless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"pt-0\"\u003e\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56300258165113,"sku":null,"price":12000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2025-12-01at16.32.10.png?v=1764669376"},{"product_id":"anonyme-gametable","title":"ANONYME - GAME TABLE","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 34\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eANONYMOUS\u003cbr\u003eGAME TABLE │ VIENNA, CIRCA 1905\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eCERUSED BLACK OAK, NICKEL PLATED COPPER BLACK LACQUERED CHECKERED PATTERN AND BRASS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eH 77 × L 85 x P 85 cm \/ H 30,3 × W 33,4 x D 33,4 in.\u003c\/span\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"0\" data-end=\"402\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThe school of Josef Hoffmann and Koloman Moser grew directly out of the Vienna Secession’s revolt against academic historicism, replacing excess with geometric discipline, clarity, and a belief that ornament must emerge from structure. Hoffmann’s architectural precision and Moser’s refined graphic sensibility shaped a unified doctrine: art, design, and craft should speak a single, coherent language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"404\" data-end=\"860\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThis vision, rooted in the Secession’s pursuit of purity, order, and modernity, defined not only their work but their teaching. Everyday objects, interiors, and buildings were treated with the same rigor, elevating craftsmanship as a cultural force rather than a relic of the past. Their school became the clearest expression of the Secession ideal that art should shape life itself, offering a modern aesthetic of intention, restraint, and lasting elegance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56306917048697,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2025-12-02_at_17.41.19.png?v=1764693860"},{"product_id":"guglielmo-ulrich-armchairs-copy","title":"GUGLIELMO ULRICH - GAME TABLE","description":"\u003cdiv\u003e\n\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eItaly | Circa 1930\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr data-end=\"20\" data-start=\"17\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBrass parchment and wood\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp data-end=\"139\" data-start=\"43\"\u003e \u003c\/p\u003e\n\u003cdiv title=\"Page 45\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 76 x Ø 87 cm \/ H 29.9 × Ø 34.3 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT GUGLILEMO ULRICH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-end=\"718\" data-start=\"144\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eGuglielmo Ulrich (1904–1977) was one of the defining figures of Italian design in the mid-20th century, known for his ability to merge classical elegance with the emerging language of modernism. Trained in architecture at Politecnico di Milano and in fine arts at the Brera Academy, Ulrich began designing furniture in the 1930s, quickly becoming a favorite among Milan’s upper class. He collaborated with some of the most skilled cabinetmakers of the time, including the firm of Mario Quarti, producing custom interiors for villas, ocean liners, and corporate headquarters. His work stands out for its refined proportions, delicate curves, and the luxurious use of materials such as exotic woods, parchment, and leather. Unlike the more radical modernists of his generation, Ulrich never abandoned ornament or craftsmanship—instead, he reinterpreted them with restraint and clarity. Though his name was somewhat eclipsed in the postwar years, Ulrich has seen a strong resurgence in recent decades. His pieces are now sought after by collectors and featured in major design auctions, with several works included in institutional collections and exhibitions on Italian modernism. Today, Ulrich is increasingly recognized not only for his aesthetic sensibility but also for his role in shaping a distinctly Italian approach to modern design.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56580409098617,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-01-30at11.53.13.png?v=1769770477"},{"product_id":"maurice-dufrene-stool","title":"MAURICE DUFRENE - STOOL","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMaurice Dufrêne, Stool │ circa 1930\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBlackened pearwood, chromed metal tubes and fabric\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 60 × W 71 × D 33 cm \/ H 23.6 × W 28 × D 13 in.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT MAURICE DUFRENE\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 19\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp data-start=\"128\" data-end=\"547\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMaurice Dufrêne conceived design as a discipline of thought rather than an exercise in style. Trained at the École des Arts Décoratifs and active at a moment of transition, he rejected both the fading lyricism of Art Nouveau and the excesses of decorative display, opting instead for clarity, proportion, and coherence. Form, function, material, and space were treated as interdependent elements within a single system. Excess gave way to measure, expression to structure. Furniture was no longer autonomous but architectural, contributing to a legible and rhythmic interior. As director of La Maîtrise at Galeries Lafayette, he developed a collective vision of modern design, didactic rather than spectacular, where interiors functioned as total environments shaping public taste. Presented at the 1925 Exposition des Arts Décoratifs, his work embodied a restrained, architectural Art Deco sensibility. Luxury was disciplined, materials were employed with intention, and industry was engaged without sacrificing authorship. Conceived for serial production yet precise in detail, his objects occupy a measured space between craft and industry. Dufrêne’s legacy lies less in iconic forms than in a method: a rational, humane approach to the modern interior. He did not seek effect or provocation, but continuity, building a quiet framework for modern life grounded in intelligence, restraint, and durability.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56608100155769,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/IMG_1681.jpg?v=1770210019"},{"product_id":"anonyme-smokers-set","title":"ANONYME - SMOKERS SET","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 34\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 36\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSmokers set I France, circa 1930\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEbony wood, chromed metal base\u003cbr\u003eH 71 x L 37 x P 25 cm \/ H 27.9 \u003c\/span\u003e\u003cspan\u003e× \u003c\/span\u003e\u003cspan\u003eL 14.5 \u003c\/span\u003e\u003cspan\u003e× \u003c\/span\u003e\u003cspan\u003eP 9.8 in\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003eSOLD OUT\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"0\" data-end=\"366\"\u003eThis smoker set is situated within the current of French modernism that emerged around 1930, where decorative objects adopted an architectural clarity and structural logic. Its upright stance, stepped base, and sharply defined volumes suggest an affinity with Michel Dufet’s modernist language, translating architectural principles into reduced, functional form.\u003c\/p\u003e\n\u003cp data-start=\"368\" data-end=\"868\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAt the same time, the piece resonates strongly with the work of Louis Sognot and the broader ethos of the Union des Artistes Modernes. The dialogue between ebony wood and chromed metal reflects a UAM sensibility: noble materials disciplined by industrial precision, luxury expressed through restraint rather than ornament. More than an accessory, the smoker set reads as a compact architectural presence, through proportion, balance, and a confident commitment to modernity.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56628063142265,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-02-09at11.49.36.png?v=1770634242"},{"product_id":"dean-avisar-einsof","title":"DEAN AVISAR - EINSOF","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDean Avisar, Einsof N°7 | 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eIndigo dyed Japanese paper on fabric\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 180 x L 130 cm\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT \u003ca style=\"color: rgb(179, 179, 179);\" href=\"https:\/\/scenersgallery.com\/collections\/rei-kawakubo\"\u003eDEAN AVISAR\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\n\u003cp data-end=\"386\" data-start=\"0\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDean Avisar’s latest work is conceived as a meditation on infinity, an exploration of the soul as something boundless, existing beyond material constraints. While human life unfolds through action and physical experience, Avisar suggests that beneath it lies an immeasurable and continuous presence. Art becomes the threshold between these realms, where the finite and the infinite meet. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFor the artist, creativity is not an act but a state of being. In openness, creation flows naturally, linking body and spirit. The layered surface of the work reflects this inward journey, inviting a gradual discovery of depth both visual and existential. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWhat distinguishes the piece is its constant evolution. Through experimental techniques using chemical compounds and pigments reactive to ultraviolet light, the artwork responds to its environment, almost as if painted with light. As illumination shifts, colors intensify, recede, and transform, creating a living expression of movement and renewal. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eThe foundation of the work is a custom-made paper produced to the artist’s specifications, composed of hemp, flax, and abaca fibers for strength and absorbency. Drawing from traditional Japanese papermaking techniques, each sheet is formed by hand, anchoring its immaterial inquiry in a powerful physical presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56650039656825,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-02-12at15.14.10.png?v=1770905891"},{"product_id":"marcel-kammerer-salon-suite","title":"MARCEL KAMMERER - SALON SUITE","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 34\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMarcel Kammerer, Salon suite | Vienna, circa 1910\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eStained bent beech, geometric marquetry, wine red winter hides\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMundus stamped\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eArmchairs\/Sofa: H 74 x L 88 x P 80 cm, H 75 x L 165 x P 80 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eTable: H 78 x Ø 70 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"84\" data-end=\"418\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMarcel Kammerer (1878–1951) was formed in the studio of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eOtto Wagner\u003c\/span\u003e\u003c\/span\u003e, which places him at the intellectual core of Viennese modernity. Wagner taught that architecture must express structure, function, and modern life, not historical imitation. Kammerer carried that discipline into his interiors and furniture. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWorking within the orbit of the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWiener Werkstätte, \u003c\/span\u003e\u003c\/span\u003ealongside figures such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJosef Hoffmann\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKoloman Moser, \u003c\/span\u003e\u003c\/span\u003ehe embraced the Secessionist ideal of \u003cem data-start=\"634\" data-end=\"651\"\u003eGesamtkunstwerk\u003c\/em\u003e, the total work of art. Space, furniture, and surface were conceived as one coherent system. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eUnlike the later radical minimalism of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAdolf Loos\u003c\/span\u003e\u003c\/span\u003e, Kammerer did not reject material richness. He balanced geometry with warmth, structure with tactile refinement. His work marks the hinge between Secessionist elegance and emerging European modernism, rigorous, integrated, and intellectually grounded rather than decorative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1098\" data-end=\"1165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56653875577209,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-02-13at10.30.02_ea40e1a5-bd76-4551-bc27-3da1e45497f1.png?v=1770975304"},{"product_id":"eugenio-quarti-pedestal","title":"EUGENIO QUARTI - PEDESTAL","description":"\u003cdiv\u003e\u003cspan style=\"font-size: 0.875rem; color: rgb(204, 204, 204);\"\u003eItaly | 1899\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eWalnut, ebonized wood, parchment, glass, metal inlaid and mother of pearl\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eProvenance: Giovanni Mazzoni Breganze (1848-1918) Vicenza, Italie\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThence by descent\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 135 x L 43 x D 43 cm \/ H 53 x W 17 x P 17 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT EUGENIO QUARTI\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 18\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEugenio Quarti (1867–1931), born in Villa d’Almè and trained in Paris and Milan, emerged as one of the leading figures of the Italian Liberty movement, transforming furniture into a form of spatial lyricism. After an early collaboration with Carlo Bugatti, whose Moorish-inspired fantasy shaped his first experiments, Quarti developed a more architectural and disciplined language, crafting elegant works in mahogany and rosewood often enriched with mother-of-pearl, parchment, and metal inlays. Celebrated at the 1900 Paris Exposition Universelle, his creations balanced ornament and structure, curve and line, delicacy and strength, earning him international acclaim. Today, his works are held in major collections, including the Musée d’Orsay in Paris and the National Museum of Modern Art in Tokyo, standing as lasting testaments to his ability to unite technique and poetry in objects of timeless elegance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56796819390841,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-03-05at18.31.30.png?v=1772728500"},{"product_id":"dean-avisar-einsof-copy","title":"DEAN AVISAR - EINSOF","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDean Avisar, Einsof N°6 | 2024\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDark indigo dyed Japanese paper, different medias.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 180 x L 130 cm \/ H 71 x W 51 in.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT \u003ca style=\"color: rgb(179, 179, 179);\" href=\"https:\/\/scenersgallery.com\/collections\/rei-kawakubo\"\u003eDEAN AVISAR\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\n\u003cp data-end=\"386\" data-start=\"0\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eDean Avisar’s latest work is conceived as a meditation on infinity, an exploration of the soul as something boundless, existing beyond material constraints. While human life unfolds through action and physical experience, Avisar suggests that beneath it lies an immeasurable and continuous presence. Art becomes the threshold between these realms, where the finite and the infinite meet. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFor the artist, creativity is not an act but a state of being. In openness, creation flows naturally, linking body and spirit. The layered surface of the work reflects this inward journey, inviting a gradual discovery of depth both visual and existential. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWhat distinguishes the piece is its constant evolution. Through experimental techniques using chemical compounds and pigments reactive to ultraviolet light, the artwork responds to its environment, almost as if painted with light. As illumination shifts, colors intensify, recede, and transform, creating a living expression of movement and renewal. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eThe foundation of the work is a custom-made paper produced to the artist’s specifications, composed of hemp, flax, and abaca fibers for strength and absorbency. Drawing from traditional Japanese papermaking techniques, each sheet is formed by hand, anchoring its immaterial inquiry in a powerful physical presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56824630641017,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-03-10at13.49.23.png?v=1773147120"},{"product_id":"gaetano-borsani-desk-and-armchair","title":"GAETANO BORSANI - DESK AND ARMCHAIR","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 44\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eGaetano Borsani, Desk and armchair | Italy, late 1920s\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eLacquered wood, aluminum and fabric\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eAtelier di Varedo stamped\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 79 x L 149 x P 82 cm \/ H 83 x L 59 x P 60,5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"font-size: 0.875rem;\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT GAETANO BORSANI\u003c\/span\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eGaetano \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eBorsani \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003efounded \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eAtelier \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003edi \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eVaredo\u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003e \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ein 1923, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eat \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ea \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003emoment \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ewhen \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eItalian \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003efurniture \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ewas \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003estill \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003elargely \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003etied \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eto \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ehistoricist \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003edecoration. \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eRooted \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ein \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003edisciplined \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003etradition \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eof \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eLombard \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ecabinetmaking \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eyet \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eincreasingly \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eopen \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eto \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003emodern \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eideas \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ecirculating \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethrough \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eMilan’s \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003earchitectural \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ecircles, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eatelier \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ebegan \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eto \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003emerge \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ecraftsmanship \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ewith \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ea \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003enew \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003estructural \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eclarity \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ereminiscent \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eof \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eBauhaus \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003espirit\u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003e. \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eWithin \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethis \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eworkshop, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003epart \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003estudio, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003epart \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003elaboratory, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003efoundations \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ewere \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003elaid \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003efor \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eone \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eof \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003emost \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eremarkable \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eevolutions \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ein \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eItalian \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003edesign, \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003elater \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ecarried \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eforward \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eby \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ehis \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eson \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eOsvaldo \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eBorsani\u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003e \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eand \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003ethe \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eradical \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eindustrial \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003evision \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eof \u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003eTecno\u003c\/span\u003e\u003cspan class=\"BZ_Pyq_fadeIn\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56861614670201,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-03-16_at_15.45.46.png?v=1773672474"},{"product_id":"carlo-bugatti-mural-cabinet","title":"CARLO BUGATTI - MURAL CABINET","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eCarlo Bugatti, Cabinet | Italy, circa 1880\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eEbonized wood, bone, inlaid metal, parchment and mirror\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 127 x L 41,5 x P 21 cm \/ H 50 x W 16.3 x D 8.3 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003eSOLD OUT\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT \u003ca href=\"https:\/\/scenersgallery.com\/collections\/carlo-bugatti?_pos=1\u0026amp;_psq=Carlo+bu\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eCARLO BUGATTI\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(128, 128, 128);\"\u003eCarlo Bugatti (1856–1940) was a designer who seemed to exist outside the constraints of time and tradition. His furniture and interiors were not just objects or spaces but manifestations of a profound, almost mystical vision. Drawing on influences as varied as Moorish architecture, Japanese craftsmanship, and Gothic ornamentation, Bugatti created works that felt simultaneously ancient and futuristic, belonging to no single era and yet resonating deeply with those who encountered them. Bugatti’s approach was deeply unconventional. He chose materials like parchment, copper, and mother-of-pearl, crafting furniture that seemed less like practical objects and more like artifacts from a dream. Chairs with tall, spindly backs; tables with asymmetrical forms; and entire rooms conceived as immersive environments—the result was always unexpected, always otherworldly. His pieces demanded attention, not as functional tools but as works of art with their own personalities. More than a designer, Bugatti was a storyteller. His work evoked narratives of faraway places and forgotten civilizations, yet it also spoke of the future, of what design could become when freed from convention. Each creation was a dialogue between the material and the metaphysical, a challenge to the viewer to see beyond the ordinary. While his style was highly personal and difficult to replicate, Bugatti’s influence has endured. His work, like his life, defied categorization. Today, his creations are celebrated not just for their beauty but for their audacity—proof of what can be achieved when design is treated as a boundless act of imagination.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57105790992761,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-04-20at13.00.09.png?v=1776683020"},{"product_id":"jean-dunand-hommage-au-cubisme","title":"JEAN DUNAND - 'HOMMAGE AU CUBISME'","description":"\u003cdiv title=\"Page 30\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 23\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 21\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJean Dunand (1877–1942) \/ Bernard Dunand (1908–1998), Hommage au Cubism │ France, 1940\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-start=\"87\" data-end=\"90\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBlack lacquered wood, gold leaf, egg shell\u003c\/span\u003e\u003cbr data-start=\"132\" data-end=\"135\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFinalised 1985 by Bernard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-start=\"160\" data-end=\"163\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 243 x L 77 x P 3.2 cm (panel) \/ H 90.5 x W 30.2 x D 1.3 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-start=\"224\" data-end=\"227\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBibliography: F. Marcilhac, \u003cem data-start=\"255\" data-end=\"288\"\u003eJean Dunand: His Life and Works\u003c\/em\u003e, London, 1991, p. 335, no. 32\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT JEAN DUNAND\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 21\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 14\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJean Dunand was a master of modern material intelligence, moving effortlessly between metal, lacquer, and architecture at the height of the Art Deco era. Trained in Geneva and established in Paris, he first distinguished himself through dinanderie, the hammering of copper and brass into sculptural form, before transforming his practice through the study of Japanese urushi lacquer with Seizo Sugawara around 1912. From that encounter emerged a singular language, where hammered structure met liquid depth, and surface became a site of meditation rather than ornament. Collaborating with figures such as Ruhlmann and contributing to landmark interiors like the 1925 Exposition and the Normandie, Dunand forged works that embody modern precision without sacrificing mystery, objects where repetition, rigor, and patience turn craftsmanship into quiet philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57105865834873,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-04-20_at_13.35.24.png?v=1776685053"},{"product_id":"carlo-bugatti-cartonnier","title":"CARLO BUGATTI - CARTONNIER","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eCarlo Bugatti, Cabinet \/ Cartonnier | Italy, circa 1900\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eWalnut, painted walnut, maple, tin, hammered copper, parchment, bone and painted parchment\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 21\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 178 x L 71 x P 40,5 cm \/ H 70 x W 28 x D 16 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eOnly known example in Carlo Bugatti's Oeuvre.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003eSOLD OUT\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT \u003ca href=\"https:\/\/scenersgallery.com\/collections\/carlo-bugatti?_pos=1\u0026amp;_psq=Carlo+bu\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eCARLO BUGATTI\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(128, 128, 128);\"\u003eCarlo Bugatti (1856–1940) was a designer who seemed to exist outside the constraints of time and tradition. His furniture and interiors were not just objects or spaces but manifestations of a profound, almost mystical vision. Drawing on influences as varied as Moorish architecture, Japanese craftsmanship, and Gothic ornamentation, Bugatti created works that felt simultaneously ancient and futuristic, belonging to no single era and yet resonating deeply with those who encountered them. Bugatti’s approach was deeply unconventional. He chose materials like parchment, copper, and mother-of-pearl, crafting furniture that seemed less like practical objects and more like artifacts from a dream. Chairs with tall, spindly backs; tables with asymmetrical forms; and entire rooms conceived as immersive environments—the result was always unexpected, always otherworldly. His pieces demanded attention, not as functional tools but as works of art with their own personalities. More than a designer, Bugatti was a storyteller. His work evoked narratives of faraway places and forgotten civilizations, yet it also spoke of the future, of what design could become when freed from convention. Each creation was a dialogue between the material and the metaphysical, a challenge to the viewer to see beyond the ordinary. While his style was highly personal and difficult to replicate, Bugatti’s influence has endured. His work, like his life, defied categorization. Today, his creations are celebrated not just for their beauty but for their audacity—proof of what can be achieved when design is treated as a boundless act of imagination.\u003c\/span\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57115088847225,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-04-21at10.56.36.png?v=1776762107"},{"product_id":"jacques-emile-ruhlmann-bed-no-894-nr","title":"JACQUES-ÉMILE RUHLMANN - BED NO. 894 NR","description":"\u003cdiv\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\" data-turn=\"user\" style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"user\" data-message-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden items-end rtl:items-start\"\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:3294c87a-d5b6-46ad-a147-b70ce13932a7-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\" style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a0fc559f-d8ab-4aff-99db-6db17ae940dc\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"275\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJacques-Émile Ruhlmann, Bed model no. 894 NR | France, 1933\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"275\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cbr data-start=\"71\" data-end=\"74\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMacassar ebony, oak and gilt bronze\u003c\/span\u003e\u003cbr data-start=\"109\" data-end=\"112\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBranded “Ruhlmann” with atelier B mark, dated and marked “Exp. no. 4”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"275\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cbr data-start=\"181\" data-end=\"184\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 100 × L 153 × D 205 cm \/ H 39.4 × W 60.2 × D 80.7 in.\u003c\/span\u003e\u003cbr data-start=\"239\" data-end=\"242\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eMattress height: 40 cm \/ 15.7 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT \u003ca href=\"https:\/\/scenersgallery.com\/collections\/jacques-emile-ruhlmanni1879-1933\"\u003eJACQUES-ÉMILE RUHLMANN\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eRuhlmann did not design furniture in the conventional sense; he constructed a vision of living where each object carried intention, precision, and quiet authority. His work belongs to a world where nothing is accidental, where proportion, material, and line resolve into a controlled harmony. Born in 1879, he inherited his father’s decorating business but quickly redefined it. Moving beyond ornament, he approached interiors as complete compositions, shaping space with near-architectural rigor. His language was neither nostalgic nor radically avant-garde, but measured, a balance between classical order and modern clarity. By the 1920s, his position was firmly established, culminating at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, where his \u003cem data-start=\"812\" data-end=\"837\"\u003eHôtel du Collectionneur\u003c\/em\u003e stood as a manifesto. More than an installation, it staged a way of living, where furniture, textiles, and rhythm formed a seamless whole. His materials Macassar ebony, amboyna burl, ivory, shagreen, lacquer, were selected with discipline. Surfaces became fields of tension between light and depth, never excessive, always resolved. The craftsmanship was exacting, relying on artisans capable of making structure disappear into apparent ease. He resisted industrial production not out of nostalgia, but conviction. For Ruhlmann, modernity was not speed, but elevation. His interiors functioned as total works, each detail reinforcing a unified atmosphere. After his death in 1933, his work endured not as relic, but as benchmark. Held in major collections, it continues to define the upper edge of Art Deco. His legacy lies in this tension: restraint and richness, discipline and sensuality. His pieces do not ask for attention, they impose it quietly, with a certainty that leaves little room for compromise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57156657316217,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-04-28_at_09.44.26.png?v=1777362363"},{"product_id":"jacques-emile-ruhlmann-bed-no-894-nr-copy","title":"ALLEN JONES - RED REFRIGERATOR","description":"\u003cdiv\u003e\n\u003csection style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\" data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-3\" data-turn-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" data-message-author-role=\"user\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden items-end rtl:items-start\"\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\" data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-4\" data-turn-id=\"request-WEB:3294c87a-d5b6-46ad-a147-b70ce13932a7-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"a0fc559f-d8ab-4aff-99db-6db17ae940dc\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"275\" data-start=\"0\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eAllen Jones, Red Refrigerator \u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e│ U.K. 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"275\" data-start=\"0\"\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003e\u003cspan\u003ePainted fiberglass, chrome plated metal, leather, rosewood veneer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eH 187 x L 38 x P 56 cm \/ H 73.6 x W 15 x D 22 in.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT \u003ca href=\"https:\/\/schttps:\/\/scenersgallery.com\/collections\/allen-jones-1937\"\u003eALLEN JONES\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003eAllen Jones constructed a language where desire, image, and object collide. Born in Southampton, he emerged in London as painting shifted from post-war abstraction toward popular imagery, yet pushed it further, placing the human figure in a charged space between seduction and unease. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrom the early 1960s, his work gained international recognition, notably at the Paris Biennale in 1963, where he represented the UK and received the Prix des Jeunes Artistes. His paintings and sculptures entered major collections, including the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVictoria and Albert Museum\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMuseum of Modern Art\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHirshhorn Museum and Sculpture Garden\u003c\/span\u003e\u003c\/span\u003e. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJones became known for works that fuse advertising, fashion, and erotic imagery with a structural rigor rooted in modernism. His iconic sculptural figures transformed into functional objects, collapse the boundary between body and design, generating both fascination and discomfort. Where Pop often embraced surface, Jones introduced tension beneath it. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHis career has been marked by major retrospectives, from the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWalker Art Gallery\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSerpentine Gallery\u003c\/span\u003e\u003c\/span\u003e in the late 1970s, to the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBarbican Centre\u003c\/span\u003e\u003c\/span\u003e in 1995, and later exhibitions at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate Britain\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRoyal Academy of Arts\u003c\/span\u003e\u003c\/span\u003e in 2007–08. \u003cem data-end=\"1499\" data-start=\"1485\"\u003eOff the Wall\u003c\/em\u003e, spanning over five decades, underscored the consistency and evolution of his practice. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBeyond the gallery, he extended his work into public and architectural space through large-scale commissions in London, Hong Kong, and China, alongside projects in ballet and television. Elected a Royal Academician in 1986 and later a Trustee of the British Museum, Jones holds a singular position within post-war British art, at the intersection of abstraction and image culture, object and body, attraction and discomfort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57159044956537,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/IMG_40552.jpg?v=1777379432"},{"product_id":"allen-jones-red-refrigerator-copy","title":"ALLEN JONES - COVER STORY 4\/4","description":"\u003cdiv\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\" data-turn=\"user\" style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"user\" data-message-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden items-end rtl:items-start\"\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eAllen Jones, Cover story | 2021\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003ePainted fiberglass, leather and brass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 186 x L 60 x P 45 cm \/ H 73.2 x W 23,6 x D 17,7 in.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:3294c87a-d5b6-46ad-a147-b70ce13932a7-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\" style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a0fc559f-d8ab-4aff-99db-6db17ae940dc\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"275\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT \u003ca href=\"https:\/\/schttps:\/\/scenersgallery.com\/collections\/allen-jones-1937\"\u003eALLEN JONES\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003eAllen Jones constructed a language where desire, image, and object collide. Born in Southampton, he emerged in London as painting shifted from post-war abstraction toward popular imagery, yet pushed it further, placing the human figure in a charged space between seduction and unease. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrom the early 1960s, his work gained international recognition, notably at the Paris Biennale in 1963, where he represented the UK and received the Prix des Jeunes Artistes. His paintings and sculptures entered major collections, including the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVictoria and Albert Museum\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMuseum of Modern Art\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHirshhorn Museum and Sculpture Garden\u003c\/span\u003e\u003c\/span\u003e. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJones became known for works that fuse advertising, fashion, and erotic imagery with a structural rigor rooted in modernism. His iconic sculptural figures transformed into functional objects, collapse the boundary between body and design, generating both fascination and discomfort. Where Pop often embraced surface, Jones introduced tension beneath it. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHis career has been marked by major retrospectives, from the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWalker Art Gallery\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSerpentine Gallery\u003c\/span\u003e\u003c\/span\u003e in the late 1970s, to the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBarbican Centre\u003c\/span\u003e\u003c\/span\u003e in 1995, and later exhibitions at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate Britain\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRoyal Academy of Arts\u003c\/span\u003e\u003c\/span\u003e in 2007–08. \u003cem data-start=\"1485\" data-end=\"1499\"\u003eOff the Wall\u003c\/em\u003e, spanning over five decades, underscored the consistency and evolution of his practice. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBeyond the gallery, he extended his work into public and architectural space through large-scale commissions in London, Hong Kong, and China, alongside projects in ballet and television. Elected a Royal Academician in 1986 and later a Trustee of the British Museum, Jones holds a singular position within post-war British art, at the intersection of abstraction and image culture, object and body, attraction and discomfort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57159198212473,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-04-28_at_14.36.35.png?v=1777379841"},{"product_id":"allen-jones-cover-story-4-4-copy","title":"ALLEN JONES - BOUTIQUE","description":"\u003cdiv\u003e\n\u003csection style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\" data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-3\" data-turn-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"dcc3b646-aae4-40e8-86ee-c45b832688c3\" data-message-author-role=\"user\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden items-end rtl:items-start\"\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; color: rgb(179, 179, 179);\"\u003eAllen Jones, Boutique (Waiting on table with cape) | 2015 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\n\u003cspan style=\"caret-color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; color: rgb(179, 179, 179);\"\u003ePainted Fiberglass, Aluminium, Painted wood, Perspex\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\n\u003cspan style=\"caret-color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 rounded-[22px] px-4 py-2.5 leading-6 max-w-(--user-chat-width,70%)\"\u003e\n\u003cdiv style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;\" title=\"Page 9\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eOverall : H 205 x L 51 x P 61 cm \/ H 80.7 x W 20 x D 24 in.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFigure : H 153.6 x L 34.3 x P 63 cm \/ H 60.47 x W 13.5 x D 24.8 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eABOUT \u003ca href=\"https:\/\/schttps:\/\/scenersgallery.com\/collections\/allen-jones-1937\"\u003eALLEN JONES\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cmeta charset=\"UTF-8\"\u003eAllen Jones constructed a language where desire, image, and object collide. Born in Southampton, he emerged in London as painting shifted from post-war abstraction toward popular imagery, yet pushed it further, placing the human figure in a charged space between seduction and unease. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eFrom the early 1960s, his work gained international recognition, notably at the Paris Biennale in 1963, where he represented the UK and received the Prix des Jeunes Artistes. His paintings and sculptures entered major collections, including the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVictoria and Albert Museum\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMuseum of Modern Art\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHirshhorn Museum and Sculpture Garden\u003c\/span\u003e\u003c\/span\u003e. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJones became known for works that fuse advertising, fashion, and erotic imagery with a structural rigor rooted in modernism. His iconic sculptural figures transformed into functional objects, collapse the boundary between body and design, generating both fascination and discomfort. Where Pop often embraced surface, Jones introduced tension beneath it. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHis career has been marked by major retrospectives, from the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWalker Art Gallery\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSerpentine Gallery\u003c\/span\u003e\u003c\/span\u003e in the late 1970s, to the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBarbican Centre\u003c\/span\u003e\u003c\/span\u003e in 1995, and later exhibitions at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTate Britain\u003c\/span\u003e\u003c\/span\u003e and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRoyal Academy of Arts\u003c\/span\u003e\u003c\/span\u003e in 2007–08. \u003cem data-end=\"1499\" data-start=\"1485\"\u003eOff the Wall\u003c\/em\u003e, spanning over five decades, underscored the consistency and evolution of his practice. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBeyond the gallery, he extended his work into public and architectural space through large-scale commissions in London, Hong Kong, and China, alongside projects in ballet and television. Elected a Royal Academician in 1986 and later a Trustee of the British Museum, Jones holds a singular position within post-war British art, at the intersection of abstraction and image culture, object and body, attraction and discomfort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":57220967956857,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-05-06_at_11.13.55.png?v=1778059070"},{"product_id":"gino-levi-montalcini-chairs","title":"GINO LEVI MONTALCINI - CHAIRS","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 44\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eGino Levi Montalcini, Chairs (attr) | Italy, circa 1920\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eAbete, wine red winter hides\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 85 x L 40 x P 40,5 cm \/ H 33.4 x L 15.7 x P 16 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"font-size: 0.875rem;\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT GINO LEVI MONTALCINI\u003c\/span\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBefore Italian Rationalism had fully established its architectural vocabulary, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGino Levi-Montalcini\u003c\/span\u003e\u003c\/span\u003e emerged among the generation of architects redefining the relationship between form, function, and modern life. Working alongside figures such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGiuseppe Pagano\u003c\/span\u003e\u003c\/span\u003e, he embraced the Rationalist conviction that architecture—and by extension furniture, should be stripped of ornament in favor of structural clarity, proportion, and purpose. Rather than treating furniture as decorative accompaniment, Levi-Montalcini conceived each piece as an architectural element, integral to the spatial composition it inhabited. Rooted in the ideals of the Modern Movement yet distinguished by an exceptional refinement of form, his work embodies a uniquely Italian interpretation of Rationalism.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":63903401673081,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/IMG_6008copy.jpg?v=1783408136"},{"product_id":"gino-levi-montalcini-armchairs","title":"GINO LEVI MONTALCINI AND GIUSEPPE PAGANO - ARMCHAIRS","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 44\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eGino Levi Montalcini and Giuseppe Pagano, Pair of armchairs | Italy, circa 1920\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003ePainted black veneer\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 67 x L 60.5 x P 48 cm \/ H 26.4 x L 23.8 x P 18.9 in.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\" style=\"font-size: 0.875rem;\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #adadad;\"\u003eABOUT GINO LEVI MONTALCINI\u003c\/span\u003e\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eBefore Italian Rationalism had fully established its architectural vocabulary, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGino Levi-Montalcini\u003c\/span\u003e\u003c\/span\u003e emerged among the generation of architects redefining the relationship between form, function, and modern life. Working alongside figures such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGiuseppe Pagano\u003c\/span\u003e\u003c\/span\u003e, he embraced the Rationalist conviction that architecture—and by extension furniture, should be stripped of ornament in favor of structural clarity, proportion, and purpose. Rather than treating furniture as decorative accompaniment, Levi-Montalcini conceived each piece as an architectural element, integral to the spatial composition it inhabited. Rooted in the ideals of the Modern Movement yet distinguished by an exceptional refinement of form, his work embodies a uniquely Italian interpretation of Rationalism.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":64016054780281,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot_2026-07-20_at_13.17.52.png?v=1784546285"},{"product_id":"hans-vollmer-transformable-game-table","title":"HANS VOLLMER - TRANSFORMABLE GAME TABLE","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 34\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHans Vollmer, Transformable Gaming table | Vienna, circa 1900\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eSolid oak, stained red veneer, brass and original leather\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eH 70,5 x L 49-60 x P 49-60 cm \/ H 28 x W 19-24 x D 19-24 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003e\u003cspan style=\"font-weight: 100;\"\u003ePRICE ON REQUEST\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-start=\"0\" data-end=\"402\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThe school of Josef Hoffmann and Koloman Moser grew directly out of the Vienna Secession’s revolt against academic historicism, replacing excess with geometric discipline, clarity, and a belief that ornament must emerge from structure. Hoffmann’s architectural precision and Moser’s refined graphic sensibility shaped a unified doctrine: art, design, and craft should speak a single, coherent language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"404\" data-end=\"860\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: rgb(204, 204, 204);\"\u003eThis vision, rooted in the Secession’s pursuit of purity, order, and modernity, defined not only their work but their teaching. Everyday objects, interiors, and buildings were treated with the same rigor, elevating craftsmanship as a cultural force rather than a relic of the past. Their school became the clearest expression of the Secession ideal that art should shape life itself, offering a modern aesthetic of intention, restraint, and lasting elegance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":64043695309177,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/photo-output54.heic?v=1784885214"}],"url":"https:\/\/scenersgallery.com\/collections\/others.oembed?page=2","provider":"SCENERS GALLERY","version":"1.0","type":"link"}