{"product_id":"josef-hoffmann-armchairs","title":"JOSEF HOFFMANN - ARMCHAIRS","description":"\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eJosef Hoffmann, Pair of armchairs, model no. 330\/F | Vienna, circa 1910\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTinted beechwood, brass and velvet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBibliography: model no. 330\/F from the Kohn catalogue, listed on pages 28–29 in Il mobile moderno by G. Renzi, Silvana Editoriale, 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eH 98.5 × W 56 × D 60 cm \u003cmeta charset=\"UTF-8\"\u003e\/ H 38.78 × W 22.05 × D 23.62 in.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003e\u003ca href=\"https:\/\/scenersgallery.com\/pages\/contact\"\u003ePRICE ON REQUEST\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cspan\u003e\u003c\/span\u003eABOUT JOSEF HOFFMANN\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #adadad;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cdiv class=\"text-base my-auto mx-auto py-5 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[70rem]:[--thread-content-margin:--spacing(12)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto flex max-w-(--thread-content-max-width) flex-1 text-base gap-4 md:gap-5 lg:gap-6 group\/turn-messages focus-visible:outline-hidden\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"relative flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-4o\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-5\" dir=\"auto\" data-message-id=\"37612fbe-7f10-470a-97b4-1119313ea275\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light\"\u003e\n\u003cp data-end=\"427\" data-start=\"34\"\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eJosef Hoffmann, born in Moravia in 1870 and trained in Vienna under Otto Wagner, he emerged at a moment when architecture was expected to give order to a rapidly shifting world. Where others pursued expression, Hoffmann pursued structure. Clarity, proportion, and control were not stylistic preferences but ethical positions. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003eTogether with \u003c\/span\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\" style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGustav Klimt\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003e and \u003c\/span\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\" style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKoloman Moser\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179); font-size: 0.875rem;\"\u003e, Hoffmann shaped the intellectual core of the Vienna Secession. Klimt brought psychological intensity; Moser supplied graphic logic and systemic thinking; Hoffmann provided the spatial rigor that allowed ideas to become inhabitable. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eHoffmann’s philosophy reaches its apex in the Palais Stoclet, where architecture, interiors, furniture, and decoration form a single, total environment. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eThis belief found institutional form in the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWiener Werkstätte\u003c\/span\u003e\u003c\/span\u003e, where Hoffmann sought to erase the hierarchy between architecture and the applied arts. A chair, a textile, or a spoon carried the same conceptual responsibility as a building. Ornament was permitted only when it served structure; beauty emerged through restraint. \u003c\/span\u003e\u003cspan style=\"color: rgb(179, 179, 179);\"\u003eToday, Josef Hoffmann occupies a foundational place in the history of modern design. His works are prized not only for their rarity or craftsmanship, but for what they represent: the moment when architecture became a coherent intellectual system, capable of shaping both space and life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SCENERS GALLERY","offers":[{"title":"Default Title","offer_id":56576787218809,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/2231\/5551\/files\/Screenshot2026-01-29at18.00.37.png?v=1769706871","url":"https:\/\/scenersgallery.com\/products\/josef-hoffmann-armchairs","provider":"SCENERS GALLERY","version":"1.0","type":"link"}