ANONYME - GAME TABLE

The school of Josef Hoffmann and Koloman Moser grew directly out of the Vienna Secession’s revolt against academic historicism, replacing excess with geometric discipline, clarity, and a belief that ornament must emerge from structure. Hoffmann’s architectural precision and Moser’s refined graphic sensibility shaped a unified doctrine: art, design, and craft should speak a single, coherent language.

This vision, rooted in the Secession’s pursuit of purity, order, and modernity, defined not only their work but their teaching. Everyday objects, interiors, and buildings were treated with the same rigor, elevating craftsmanship as a cultural force rather than a relic of the past. Their school became the clearest expression of the Secession ideal that art should shape life itself, offering a modern aesthetic of intention, restraint, and lasting elegance.